The Grief That Made 'Peanuts' Good

Bill Watterson (yes, the Bill Watterson) reviews the new biography on Charles Schulz:

Once he finally achieved his childhood dream of drawing a comic strip, however, he was able to expose and confront his inner torments through his creative work, making insecurity, failure and rejection the central themes of his humor. Knowing that his miseries fueled his work, he resisted help or change, apparently preferring professional success over personal happiness. Desperately lonely and sad throughout his life, he saw himself as “a nothing,” yet he was also convinced that his artistic ability made him special. An odd combination of prickly pride and utter self-abnegation characterizes many of his public comments.

# 2007 Oct 15